The LANDSCAPES OF ANNE OF GREEN GABLES : the enchanting island that inspired lucy maud montgomery
(2018)

Nonfiction

eBook

Provider: hoopla

Details

PUBLISHED
[United States] : Timber Press, 2018
Made available through hoopla
DESCRIPTION

1 online resource

ISBN/ISSN
9781604698589 MWT15570713, 1604698586 15570713
LANGUAGE
English
NOTES

One of Smithsonian magazine's Best Books About Travel of 2018 The Landscapes of Anne of Green Gables explores L. M. Montgomery's deep connection to the landscapes of Prince Edward Island that inspired her to write the beloved Anne of Green Gables series. From the Lake of Shining Waters and the Haunted Wood to Lover's Lane, you'll be immersed in the real places immortalized in the novels. Using Montgomery's journals, archives, and scrapbooks, Catherine Reid explores the many similarities between Montgomery and her unforgettable heroine, Anne Shirley. The lush package includes Montgomery's hand-colorized photographs, the illustrations originally used in Anne of Green Gables, and contemporary and historical photography. Discover the extraordinary landscapes that inspired the writing of Anne of Green Gables. Catherine Reid has taught at a number of different schools, most recently at Warren Wilson College, in Asheville, North Carolina, where she served as director of the creative writing program and specialized in creative nonfiction and environmental writing. In addition to two works of nonfiction, Falling into Place and Coyote, she has published essays in such journals as the Georgia Review, Fourth Genre, Bellevue Literary Review, and Massachusetts Review. She has been a creative writing fellow at the American Antiquarian Society in Worcester, Massachusetts, and the Virginia Center for the Creative Arts and has received fellowships in creative nonfiction from the North Carolina Arts Council and the National Endowment for the Arts. She lives and gardens in the mountains of western North Carolina. During the course of her life, Lucy Maud Montgomery published twenty novels, more than five hundred short stories, hundreds of poems, and numerous essays. But it was her first and remarkable novel, Anne of Green Gables (1908), that garnered her a worldwide audience. The enthusiastic response to the book spurred an immediate request for more stories about the spunky, irrepressible Anne (an additional seven novels and three story collections fill out the rest of Anne's life), while Anne of Green Gables went through initial print runs at speeds that surprised author and publisher alike. In the subsequent century, the novel has sold over fifty million copies, been translated into twenty different languages, and spun off numerous films, plays, musicals, and television series. Such popularity derives from the book's equally compelling features: the appeal of its storyline-elderly siblings want a boy from an orphanage to help them with farm work and are sent an odd scrawny girl instead-and the sheer force of Anne's personality, so garrulous, smart, and endearing that she quickly wins over Matthew and Marilla Cuthbert along with a wide array of island characters. Anne's imagination carries the book, as she manages to find the beauty in the bleak and the lesson in every disaster, beginning with the grim possibility of being returned to the orphanage. Due to the phenomenal success of Anne of Green Gables, tourism is Prince Edward Island's second most important industry, with agriculture (number one) and fishing (number three) still as important as they were when Montgomery lived there. For the fan seeking the landscapes of Anne's old haunts, however, the level of new development can be startling; this is not the Prince Edward Island of the late 1890s, when Anne was gathering mayflowers by the armfuls and wandering fern-lined paths through the woods. One has to look beyond the modern conveyances to see the evidence of undisturbed woodlands, acres of farmland, and expanse of ocean just beyond, or squint in a way that blurs the adjacent golf course and amusement park, the buses and B&Bs, the tour groups and Anne look-alikes in their aprons and wigs with red braids. It is then that it becomes possible to see

Mode of access: World Wide Web

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