"Honest, warm, humane, and at times shocking, As Good as Gone is an achievement of empathy and dignity." -Smith Henderson, author of Fourth of July Creek Calvin Sidey is always ready to run, and it doesn't take much to set him in motion. As a young man, he ran from this block, from Gladstone, from Montana, from this country. From his family and the family business. He ran from sadness, and he ran from responsibility. If the gossip was true, he ran from the law. It's 1963, and Calvin Sidey, one of the last of the old cowboys, has long ago left his family to live a life of self-reliance out on the prairie. He's been a mostly absentee father and grandfather until his estranged son asks him to stay with his grandchildren, Ann and Will, for a week while he and his wife are away. So Calvin agrees to return to the small town where he once was a mythic figure, to the very home he once abandoned. But trouble soon comes to the door when a boy's attentions to seventeen-year-old Ann become increasingly aggressive and a group of reckless kids portend danger for eleven-year-old Will. Calvin knows only one way to solve problems: the Old West way, in which scores are settled and ultimatums are issued and your gun is always loaded. And though he has a powerful effect on those around him--from the widowed neighbor who has fallen under his spell to Ann and Will, who see him as the man who brings a sudden and violent order to their lives--in the changing culture of the 1960s, Calvin isn't just a relic; he's a wild card, a danger to himself and those who love him. In As Good as Gone, Larry Watson captures our longing for the Old West and its heroes, and he challenges our understanding of loyalty and justice. Both tough and tender, it is a stunning achievement. Calvin Sidey, one of the last of the old cowboys, returns to the small town where he once was a mythic figure, to the very home he once abandoned, to stay with his grandchildren for a week while his estranged son is away. When family problems arise, Calvin solves them the only way he knows how: the Old West way. Larry Watson grew up in Bismarck, North Dakota, and received his BA and MA from the University of North Dakota and his PhD in creative writing at the University of Utah. He has received grants and fellowships from the National Endowment for the Arts and the Wisconsin Arts Board. He is the author of ten novels, including Let Him Go, Montana 1948, and American Boy.Watson's fiction has been published in many foreign editions and has received multiple prizes and awards. He has published short stories and poems in a range of journals. His essays and book reviews have appeared in the Los Angeles Times, the Washington Post, the Chicago Sun-Times, and the Milwaukee Journal-Sentinel. Watson teaches at Marquette University and lives with his wife in Milwaukee, Wisconsin. A tall, lean, white-haired man stands in the open doorway of a twenty-foot house trailer, his hands jammed in the pockets of his faded Levis. Calvin Sidey, Bill's father. A hawk with prey in sight could not watch more intently. Bill parks next to the familiar old Ford truck, yet his father makes no move to come forward. Bill climbs out of the car, and when he slams the door behind him, it sets up an echo that bounces from one canyon wall to the other. He lives here, Bill thinks, so he can see the enemy approach. It's the same thought he's had on the other occasions when he's driven out to his father's home, but this time Bill wonders if even he has that status in his father's eyes. His father calls out warily, "I didn't know you were coming." To that Bill has no response. His father doesn't have a telephone. He picks up his mail no more than once or twice a week. How could anyone, son or stranger, notify Calvin Sidey of an impending visit? Hi

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