Secrets of screen acting
(2015)

Nonfiction

Book

Call Numbers:
791.43028/TUCKER,P

Availability

Locations Call Number Status
Adult Nonfiction 791.43028/TUCKER,P Available

Details

PUBLISHED
New York ; London : Routlege, 2015
EDITION
Third edition
DESCRIPTION

vii, 245 pages : illustrations ; 24 cm

ISBN/ISSN
9781138793408, 113879340X, 1138793396, 9781138793392, 131757964X, 9781317579649, 9781138793408
LANGUAGE
English
NOTES

Introduction -- Screen versus stage -- Different screens - different effects -- The frame -- The camera -- Reactions and business -- Sound and vocal levels -- Typecasting -- Acting -- Auditions -- Rehearsals and technicals -- Directing actors for the screen -- Announcers (and the art of being interviewed) -- The shoot -- The editor and editing -- Epilogue

When it was first published in 1993, Secrets of Screen Acting broke new ground in explaining how acting for the camera is different from acting on stage. Reaction time is altered, physical timing and placement are reconceived, and the proportions of the digital frame itself become the measure of all things, so the director must conceptualize each image in terms of this new rectangle and actors must 'fit' into the frame. Based on a revolutionary non-Method approach to acting, this book shows what actually works: how an actor, an announcer--anyone working in front of the cameras--gives excellent performances on screen. Instead of starting with what is real and trying to wrestle that onto the screen, Patrick Tucker explains how to work with the realities of a shoot and work from there towards the real. His step-by-step guide to the elements of effective screen acting is an extension and explanation of a lifetime of work in the field, containing over 50 acting exercises and the tried-and-tested Screen Acting Checklist. As well as being completely updated to cover new techniques, film references and insights, this third edition now includes a set of Film Clip Time Codes for each film. These not only itemise the films discussed in each chapter, but also pinpoint the precise moments where each example can be found so that students, teachers, and professional actors can refer to them quickly and easily