Title from title frames

John and Faith Hubley appeared on Screening Room in April 1973 to discuss and screen their films Eggs, The Hat, Children of the Sun, and Zuckerkandl. John and Faith Hubley worked as a team over many years to set standards for creative animation. Beginning at Disney, they moved on to develop new techniques, such as watercolour work on paper, and to offer bold political content. They were the first to combine animation with jazz, working with such artists as Ella Fitzgerald, Dizzy Gillespie, and Oscar Peterson. Later they were commissioned by Sesame Street to create television animation for children. The Hubleys received Academy Awards for Moonbird (1960), The Hole (1963), and Tijuana Brass Double Feature (1966). About the Screening Room series: In the early 1970s a group of idealistic artists, lawyers, doctors and teachers saw an opportunity to change commercial television in Boston and the surrounding area. It would require years of litigation up to and including the Supreme Court, but the case was won and the Channel 5 license was given to WCVB-TV. Screening Room was one of several programs offered in an effort to provide alternative television viewing. The idea behind Screening Room was to give independent filmmakers an opportunity to discuss their work and show it to a large urban audience. Nearly 100 ninety-minute programs were produced and aired between 1973 and 1980. Screening Room was developed and hosted by filmmaker Robert Gardner, who at the time, was Director of Harvard's Visual Arts Center and Chairman of its Visual and Environmental Studies Department. His own films include Dead Birds (1964), and Forest of Bliss (1986)

In Process Record

Features: John & Faith Hubley

Originally produced by Documentary Educational Resources in 2005

Mode of access: World Wide Web

In English