First published in France with the title Orlanda by Editions Bernard Grasset, Paris 1996

"One afternoon in a café across the Gare du Nord train station in Paris, Aline Berger, a literature professor, struggles to re-read Virginia Woolf's Orlando, when an odd feeling comes over her. Suddenly, part of her consciousness splits off and finds itself in the body of an attractive young man named Lucien Lèfrene, who works as a rock journalist. In this newfound body, Aline's splintered mind names themselves Orlanda in homage to Virginia Woolf as a woman who has now become a man. Orlanda begins to follow Aline. And when the two meet again in Belgium, Aline subconsciously sheds her prim tendencies for a more assertive presence, as she begins to understand that Orlanda was born from her own psyche. Orlanda is the assertive, confident, and amorous person, who loves men unabashedly, that Aline has always aspired to be but could never become. The more time the two spend together, the less time they can stand to be apart. Jacqueline Harpman's lyrical novel is a stunning portrait of a woman who is forced to confront every part of her soul and embrace herself fully." --

First North American edition published October 1999 by Seven Stories Press

In English; translated from the French