International library of the moving image.

List of figures -- Contributors -- Preface -- Acknowledgements. Introduction: raising voices -- Certain measures / Lis Rhodes. Part 1 Acknowledgements : In conversation: MORE / Pauline Boudry/Renate Lorenz with Irene Revell -- "In a tiny realm of her own": Lotte Reiniger's light work / Elinor Cleghorn -- Returning to "Riddles" / Catherine Grant -- "Being a together woman is a bitch": an "African American woman's film" genealogy of Julie Dash's "Four Women" (1975) / So Mayer -- "Film Esperienza." The work of Marinella Pirelli / Lucia Aspesi -- Prescient intersectionality: women, moving image and identity politics in 1980s Britain / Rachel Garfield. Part 2 Negotiations and engagements : In conversations: Maria Palacios Cruz interviews Basma Alsharif -- "Overexposed, like an X-ray": the politics of corporeal vulnerability in Sandra Lahire's experimental cinema / Maud Jacquin -- "Look at Mother Nature on the run in the 1970s": Penelope Spheeris's "I Don't Know" / Erika Balsom -- Aesthetics of potentiality: Nguyen Trinh Thi's essay films / May Adadol Ingawanij -- The art of maximal ventriloquy: femininity as labour in the films of Rachel Maclean / Sarah Neely and Sarah Smith. Part 3 Situations and receptions : In conversations: Club Des Femmes, Helena Rickett: an interview on International Women's Day 2017 -- Strategies of exposure and concealment in moving image art by women; a cross-generational account / Catherine Elwes -- Choreographing women's work: multitaskers, smartphone users and virtuoso performers / Maeve Connolly -- Female solidarity as uncommodified value: Lucy Beech's "Cannibals" and Rehana Zaman's "Some Women, Other Women and all the Bittermen" / Maria Walsh -- Can we still talk about women artists? / Melissa Gronlund. Bibliography -- Index

What is the significance of gendered identification in relation to artists' moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist film-maker Lis Rhodes, Women Artists, Feminism and the Moving Image traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very different context of today. Reflecting and building upon the practices of recuperation that continue to play a vital role in feminist art practice and scholarship, essays discuss topics such as how multiculturalism is linked to experimental and activist film history, the function and nature of the essay film, feminist curatorial practices and much more. This book transports the reader across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart. As the editor, Lucy Reynolds, argues: it is at the point where art, moving image and feminist discourse converge that a rich and dynamic intersection of dialogue and exchange opens up, bringing to attention practices which might fall outside their separate spheres, and offering fresh perspectives and insights on those already established in its histories and canons