Wagner: an introduction to der ring des nibelungen
(2005)

eMusic

Provider: hoopla

Details

PUBLISHED
[United States] : Decca : Made available through hoopla, 2005
DESCRIPTION

1 online resource (1 audio file (2hr., 21 min.)) : digital

ISBN/ISSN
0028944358124 (sound recording : hoopla Music) MWT10956042, 10956042
LANGUAGE
English
NOTES

Mode of access: World Wide Web

CONTENTS
1. Of all great musical compositions (Ex.1-4) (3:37) -- 2. The fundamental symbol (Ex.5-11) (4:47) -- 3. Returning now to the Nature Motive (Ex.12-16) (3:22) -- 4. A number of further motives (Ex.17-21) (3:18) -- 5. A second, much smaller family (Ex.22-25) (2:36) -- 6. So much for nature (Ex.26-38) (7:56) -- 7. The cause of the deterioration (Ex.39-44) (3:31) -- 8. The other transformation (Ex.45-48) (3:44) -- 9. Several other motives (Ex.49-52) (2:48) -- 10. Two further motives (Ex.41,53-61) (7:13) -- 11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8)(Ex.62/8) (5:17) -- 12. Along another, more complex line (Ex.69-72) (2:12) -- 13. In Act 2 of "Walkure" (Ex.69,73-75) (2:22) -- 14. Returning now to Act 2 of "Walkure (Ex.76-79) (3:55) -- 15. Love is another of the central symbols (Ex.80-83) (3:06) -- 16. Later in the same scene (Ex.84-87) (2:23) -- 17. Freia's motive has 2 independent segments (Ex.88-91 (2:02) -- 18. The label "Flight" (Ex.92) (0:57) -- 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8) (5:24) -- 20. A little later in this interlude (Ex.99-103) (3:08) -- 21. The other new motive (Ex.104-09) (3:37) -- 22. There are several independent love-motives (Ex.110- (2:56) -- 23. The characters in whose lives (Ex.115-120) (5:28) -- 24. One further motive belongs (Ex.121) (1:25) -- 25. The sword motive recurs (Ex.122-130) (4:28) -- 26. Ironically, this phrase (Ex.131-5) (2:59) -- 27. Closely associated with Gutrune's motive (Ex.136-40 (2:27) -- 28. Here we come to the end (Ex.141-6) (3:44) -- 29. Complementary to this symbol (Ex.147-9) (2:14) -- 30. One last central symbol (Ex.150-7) (4:54) -- 31. One further motive connected (Ex.158-61) (2:53) -- 32. There are one or two motives (Ex.162-8) (3:48) -- 33. These motives of Alberich & Mime (Ex.169-71) (2:08) -- 34. Quite a number of subsidiary motives (Ex.172-6) (2:51) -- 35. Besides this family of motives (Ex.177-80) (2:32) -- 36. Our final example (Ex.10,181-2) (3:57) -- 37. In the final scene of "Gotterdammerung" (Ex.181-3) (2:45) -- 38. Even more masterly (Ex.184-8) (4:32) -- 39. Now if we return (Ex.189-91) (2:48) -- 40. This masterly way (Ex.192-3) (4:53)

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