Posts tagged with "Historical Fiction"
1845. New York City forms its first police force. The great potato famine hits Ireland. These two seemingly disparate events will change New York City. Forever.
Timothy Wilde tends bar near the Exchange, saving every dollar and shilling in hopes of winning the girl of his dreams. But when his dreams literally incinerate in a fire devastating downtown Manhattan, he finds himself disfigured, unemployed, and homeless. His older brother obtains Timothy a job in the newly minted NYPD, but he is highly skeptical of this untested police force. And he is less than thrilled that his new beat is the notoriously down-and-out Sixth Ward-at the border of Five Points, the world's most notorious slum.
One night while returning from his rounds, heartsick and defeated, Timothy runs into a little slip of a girl --a girl not more than ten years--dashing through the dark in her nightshift . . . covered head to toe in blood.
Timothy knows he should take the girl to the House of Refuge, yet he can't bring himself to abandon her. Instead, he takes her home, where she spins wild stories, claiming that dozens of bodies are buried in the forest north of 23rd Street. Timothy isn't sure whether to believe her or not, but, as the truth unfolds, the reluctant copper star finds himself engaged in a battle for justice that nearly costs him his brother, his romantic obsession, and his own life.
The author, Sue Monk Kidd, adds fictional dimensions to the history of the Grimkes. Through these fictional accounts, we learn a lot about actual history. We become acquainted with the relationships between children slaves & plantation owners’ children, religious dynamics of the era, family relationships, the lives of slaves and the abolitionist movement as the story progresses. The plot, while slow to start, really picks up momentum about halfway through.
Having been awarded a scholarship to study architecture at the Ecole Speciale in Paris in 1937 was no small feat for Andras Levi, a poor Hungarian-Jew from the small Hungarian town of Konyar. He arrived from Budapest with only a single suitcase and a mysterious letter he had promised to deliver to a C. Morgenstern. He makes friends with some fellow Jewish students, allying with them against increasing Nazi threats. He falls in love with C. Morgenstern - Klara - a beautiful Hungarian ballet instructor nine years his senior with a hauntingly dark past. With war threatening, Andras is forced to return to Hungary and Klara insists on coming with him. Andras and his two brothers find themselves pawns in the Nazi chess game of using Hungary to advance their invasion of Russia, sent out in work details for months at a time in labor camps that were little more than concentration camps. By the autumn of 1939, all of Europe erupted in the full-blown catastophe of World War II. Even Hungary, thinking themselves safe in allying with Germany, was been invaded by the Nazis. As in Dr. Zhivago, lovers Andras and Klara cannot escape the horrors of war, but find courage in their love for each other and in their families.
I must admit that I balked a bit at reading a 600 page novel that appeared to be yet another novel about World War II. I was surprised to find myself unable to put it down, taken in by the grandeur of Paris opera houses and the Parisian architecture. Andras' simple yet close family ties in Hungary contrasting with his new life in Paris as student, friend and lover was beautifully portrayed by the author, Julie Orringer. As the inevitable history unfolded with the characters caught up in it, I found myself totally absorbed and caring very much about how they would survive the war. The Invisible Bridge is a novel of epic proportions but so well written that it felt intimate.
The Kingmaker's Daughter is the fourth installment, and possibly the best so far, in Philippa Gregory's popular Cousins' War series. Set in 15th century England, it is the compelling story of the daughters of Richard Neville, 16th Earl of Warwick - particularly Anne, his youngest. Warwick was an English nobleman, administrator, and military commander who was the wealthiest and most powerful aristocrat of his age, with political connections that went far beyond the country's borders. He was one of the main powerbrokers in the War of the Roses, and was instrumental in the deposition of two kings, which earned him his nickname of "Kingmaker". Since Warwick had no sons and heirs, he of course used his daughters as pawns in his political games of kingmaking.
One of Warwick's grand schemes was to win over the York King Edward's brother George, Duke of Clarence, possibly with the prospect of installing him on the throne. George was secretly married to Warwick's oldest daughter, Isabel, and joined Warwick in a rebellion against his brother, the king. Eventually he defected back to the York side and realigned with his brother, King Edward. So at the age of fourteen, Anne Neville's father married her off to Edward of Westminster, the son of deposed king Henry VI, in an effort to align himself with the Lancaster cause. Long story short, Warwick and Edward of Westminster were killed in battle against King Edward, thus leaving Anne Neville a widow and without the protection of the wealth and power of her father, the aftermath of which was the struggle of King Edward and George of Clarence to gain control of Warwick's enormous wealth. Enter Richard, Duke of Gloucester, the youngest brother of King Edward. Very conveniently madly in love with Anne, they were married, thus taking care of half that fortune. Richard had ever been loyal to his brother the King. But George was put on trial for treason against his brother, and executed in 1478. Five years later, Edward IV died, and his youngest brother became King Richard III, making Anne Queen of England.
There are several fascinating aspects of this story, one of which is to see her grow from a weak and powerless teenager to a strong and intelligent woman, in spite of her constant vulnerability. Her rise to the pinnacle that her father had envisioned for her was marked by the tragic loss of everyone she loved, including her precious only son, Prince Edward. It seemed as though her father's political ambition had rubbed off on her, however, which enabled her to stand up to the overwhelming power of the royal family and become a player in her own right in the kingmaking game. As always, Philippa Gregory is spot-on with the historical details, creating a vivid picture of these important and turbulent events in British history.
Smith has beautifully crafted a story that is equal parts mystery and love story. The love story itself is not romantic in nature, but rather a tribute to a mother’s love and the love of art as a whole. Both the painting in question, titled “At the Edge of the Wood”, and the artist – Sara de Vos – are fictitious, but Smith has borrowed pieces of the lives of real female masters from the Dutch Golden Age.
Nothing about the structure or plot is groundbreaking: we travel back and forth between 1950’s New York, 17th-century Amsterdam, and 21st-century Australia, with the painting and the haunting presence of Sara de Vos following us along the way. It’s the way Smith tells it, setting the atmosphere in lyrically beautiful detail, that makes you want to stop and savor each chapter as you creep closer and closer to the moment when everything is laid bare.
For fans of People of the Book by Geraldine Brooks and Girl With a Pearl Earring by Tracy Chevalier.