Posts tagged with "Historical Fiction"
There are her memories of the past: her childhood desire to become a heroine ("Heroines did what they wanted") . . . her marriage to G.P. Putnam, who promoted her to fame, but was willing to gamble her life so that the book she was writing about her round-the-world flight would sell out before Christmas.
There is the flight itself -- day after magnificent or perilous or exhilarating or terrifying day ("Noonan once said any fool could have seen I was risking my life but not living it").
And there is, miraculously, an island ("We named it Heaven, as a kind of joke"). And, most important, there is Noonan . . .
It was the summer of 1880 in Paris, 10 years after France's crippling defeat in the Prussian war. Even though France was finally recovering from a serious economic depression, the devastating psychological effect of the war could still be felt. Parisian energy rebounded, however, when workers were given Sundays off. A new society emerged - la vie moderne - and cafes, caberets, dance halls, and theaters all flourished. The building of railroad lines to the countryside allowed Parisians to enjoy their Sundays in the enchanting riverside villages west of Paris.
A small group of artists, called Impressionists, had discovered the new engergy and modern individualism as well. Breaking away from the classic artistic traditions of form and line, with scenes from the Bible or history as inspiration, the Impressionists left their studios to paint "La vie moderne" as they saw it and lived it. Boldly using feathery touches of unblended color in textural brushstrokes, they painted scenes from the caberets, dance halls, theaters and Sunday boaters and picnicers. Pierre-Auguste Renoir was one such painter. The Impressionists met with much criticism, since their technique was such a radical break with the classic artists. One such critic threw down the gauntlet by saying "the Impressionists are inferior to what they undertake. The man of genius has not arisen." August Renoir picked up the gauntlet and created a work of true genius - "Luncheon of the Boating Party."
Susan Vreeland, the author, has given the reader a wonderful fictional accounting of the creation of this masterpiece by Renoir. Renoir met with almost insurmountable obstacles. He had only eight weeks of Sundays to paint it on the terrace of La Maison Fournaise at Chatou before he would lose the good summer light. He was totally broke but somehow had to pay for the huge canvas, paints, fees for 14 models and rent for the terrace each Sunday. When he began working on the painting his right arm was broken, so he painted with his left. Crippling rheumatoid arthritis was beginning to take its toll on his fingers. Woven throughout the book are the personal stories of the 14 people who are in the painting. Their colorful stories paint their own picture of la vie moderne in Paris - an actress, a mime, a journalist, an adventurer, a singer-flower seller, an art collector, a poet, a boatman, a baron, a yachtsman-painter. Vreeland gives us a good taste of the conflicts and hedonism of the era, as well as the anguish and the joy, without which the Impressionists would have had no inspiration.
London, summer of 1584: Radical philosopher, ex-monk, and spy Giordano Bruno suspects he is being followed by an old enemy. He is shocked to discover that his pursuer is in fact Sophia Underhill, a young woman with whom he was once in love. When Bruno learns that Sophia has been accused of murdering her husband, a prominent magistrate in Canterbury, he agrees to do anything he can to help clear her name.
In the city that was once England's greatest center of pilgrimage, Bruno begins to uncover unsuspected secrets that point to the dead man being part of a larger and more dangerous plot in the making. He must turn his detective's eye on history,on Saint Thomas Becket, the twelfth-century archbishop murdered in Canterbury Cathedral, and on the legend surrounding the disappearance of his body, in order to solve the crime.
As Bruno's feelings for Sophia grow more intense, so does his fear that another murder is about to take place; perhaps his own. But more than Bruno's life is at stake in this vividly rendered, impeccably researched, and addictively page-turning whodunit;the stability of the kingdom hangs in the balance as Bruno hunts down a brutal murderer in the shadows of England's most ancient cathedral.