Ultra Violet is an artist, but not the one who hung out with Warhol at the Factory. She is also the only library staff member who was a Shakespearean research scholar and a member of the Meat Cutters' Union in the same year.
Judy grew up in Bavaria because of her military father being stationed there. Her mother was a neurotic and exacting woman who eventually had to be hospitalized. Judy's feelings about her childhood in Germany influenced her choice in becoming a Waldorf school teacher. Waldorf schools celebrate they beauty of childhood and fantasy, encouraging even the teachers to believe in gnomes. Nothing damaging is allowed at a Waldorf school. There is no candy, no t-shirts with Disney characters on them, nothing that could ruin the natural process of growth. In this idealized setting, Judy finds herself estranged from her husband whom she discovers is hooked on pain pills. She is in a state of shock over losing her best friend to cancer, and her children are drifting away. Alone and frustrated, she finds herself attracted to one of her son's friends. Zachary is only sixteen, yet Judy engages in a physical relationship with the boy who is a student at the very school where she teaches.
Their forbidden romance cannot end well, but the culmination of Julia's punishment is a taut, intense story. This is a difficult topic to read about, but the author manages to balance the raw passion with modesty of language. I was particularly interested in the layering of symbolism of the Bavarian folk tales and Catholicism juxtaposed with our contemporary values and social mores. This is a dark, primal, and often disturbing love story.
A New York man is continually visited by future versions of himself each dispensing advice or warnings. Through all of the craziness of being manipulated by himself, the only thing that he can count on is his unrelenting love for one woman. A strange, funny and charming story.