[California] : Columbia TriStar Home Entertainment, 2012
1 videodisc (ca. 100 min.) : sd., col. ; 4 3/4 in ISBN/ISSN:
0043396392311, 9786314565343, Language:
Title from web page
Based on a work by: James Sallis
Originally released as a motion picture in 2011
Release date: Jan. 31, 2012
Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Ron Perlman, Christina Hendricks, Oscar Isaac, Russ Tamblyn
Driver is a Hollywood stunt driver by day, and moonlights as a top-notch getaway driver for hire in the criminal underworld. He finds himself a target for some of LA's most dangerous men after agreeing to aid the husband of his beautiful neighbor, Irene. When the job goes dangerously awry, the only way he can keep Irene and her son alive is to do what he does best, Drive!
MPAA rating: R; for strong brutal bloody violence, language, and some nudity
Blu-ray, anamorphic widescreen (2.40) aspect ratio, DTS-HD 5.1
Requires Blu-ray player
English dialogue; English or Spanish subtitles
English subtitles for the deaf and hard-of-hearing
Related Searches: Stunt driving -- DramaCriminals -- DramaFeature filmsAction and adventure filmsThrillers (Motion pictures)Fiction filmsVideo recordings for the hearing impairedBlu-rayAdded--201201
Additional Credits: Refn, Nicolas Winding, 1970-Platt, Marc, 1957-Amini, HosseinGosling, Ryan, 1980-Mulligan, Carey, 1985-Cranston, Bryan, 1956-Brooks, Albert, 1947-Sallis, James, 1944-Columbia TriStar Home Entertainment (Firm)FilmDistrict (Firm)
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Drive tells the story of an unnamed stunt driver (Ryan Gosling) moonlighting as a getaway driver for a crime syndicate run by Bernie Rose (Albert Brooks). Seemingly a loner, the driver becomes involved in the life of his neighbour Irene (Carey Mulligan) and her young son Benicio (Kaden Leos). After agreeing to drive for Irene's newly paroled husband Standard (Oscar Isaac), and finding himself on the wrong side of assassination contract, the driver embarks on a mission to protect Irene from the vicious gangsters who would seek to harm her to get at him. It's a well-worn plot line which in the hands of someone less adept than Refn would likely be nothing more than a forgettable thriller, yet the massively talented director, who picked up the Best Director prize at Cannes this year for Drive, crafts an engaging and thrilling throwback film elevated by masterful performances across the board.
Refn, previously known for the fantastic Bronson, and the lesser known but equally excellent Pusher trilogy, is a man who has very clearly studied his Kubrick. Certainly most modern directors could do worse than imitate the style of one of history's greats like Stanley Kubrick, but rarely does one pull it off with the skill of Refn. In Bronson, the influence was a little more obvious, with the resulting film seeming like something of a spiritual successor to A Clockwork Orange. With Drive however, the traces are a little more subtle, visible in the impeccable technical touches, and the use of dissolves, pensive long takes, and slow zooms, a hallmark of Kubrick's catalogue. Drive is a flawlessly crafted film, filled with beautiful imagery of the Los Angeles underworld seen more often in the work of Michael Mann.
The technical achievements of Drive are more than matched by the acting of the entire cast, and Refn shrewdly selects a wide variety of performers to populate the story. Top notch support comes from Bryan Cranston, Christina Hendricks, the ever dependable Ron Perlman, and particularly Brooks, who jettisons his familiar comedic persona in a truly frightening and villainous performance, which will surely be on the radar of voters come awards season. Mulligan shows characteristic heart in a largely overlooked role, yet the film unquestionably belongs to Gosling. Often heralded as one of the finest actors of his generation, in Drive Gosling delivers his best work yet as the driver; a quiet role that is all the more effective due to the subtlety of the performance. He displays an ability to ratchet up the tension using just the slightest widening of his eyes and tensing of his jawline, and when the character is pushed to act more forcefully, Gosling transitions from almost silent observer to brutal aggressor so swiftly that it leaves one breathless. It's work that he makes look easy, yet it's the most focused performance seen in an action film in quite some time.
There's something undeniably retro about Drive, with its neon opening titles and 80s infused soundtrack, but the film seems remarkably fresh. Smart action filmmaking is so hard to come by these days, so Drive delivers refreshing variety, beginning the time of year when the so-called prestige pictures are released with a bang.
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